Instrumental Music Recordings

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Introducing pianist Jae-Hyuck Cho

Live recording
CD DRD0259 – £10-95 UK

Ludwig van Beethoven (1770-1827)
Sonata for piano No. 21 “Waldstein” in C, Op.53 (1803-04)
[1]I Allegro con brio
[2]II Adagio molto
[3]III Rondo (Allegro moderato – Prestissimo)
Maurice Ravel (1875-1937)
[4]Jeux d’eau (1901)
Robert Schumann (1810-56)
Sonata for piano No.2 in G minor, Op.22 (1833-38)
[5]I So rasch wie möglich
[6]II Andantino
[7]III Scherzo
[8]IV Rondo
Franz Liszt (1811-86)
[9]Mephisto Waltz No.1,‘Der Tanz in der Dorfschenke’ S514 (1859-60)
[10]Applause (foreshortened)
Fryderyk Chopin (1810-49)
[11]Fantasie-impromptu in C sharp minor, Op.66 (1835
Albert Hay Malotte (1895-1964)
[12]The Lord’s Prayer
Total time: 66:03

Review
Throughout this CD, Jae-Hyuck Cho shows himself to be a fine pianist capable of giving outstanding interpretations in several different styles of music. He is in such good command of technique that he can communicate the essence of each composer’s thoughts to the full.
The recording and the piano sound are excellent, giving the feeling of being present at the recital. Very highly recommended, especially to all interested in outstanding young pianists!
Ian Milnes
0259 IM rev [The complete review will be sent gladly on request.]
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Listen to track 4
Listen to track 9
Listen to track 12

Innovations – music for two pianos and percussion, and four hands on one piano

Kathryn Page & Murray McLachlan (pianos)
Heather Corbett & Steven Burke (percussion)
CD DRD0258 – £10-95 UK

Charles Camilleri (b.1931)
Concerto for two pianos and percussion (2005)
[1]I Allegro moderato
[2]II Libero
[3]III Allegro moderato (Vivace)
Igor Stravinsky (1882-1971)
The Rite of Spring (1912-13 revised 1947)
[Reduction for piano duet by the composer.]
First part: The adoration of the earth
[4]Introduction
[5]The Augurs of Spring: Dances of young girls
[6]Ritual of abduction
[7]Spring rounds
[8]Ritual of the rival tribes
[9]Procession of the Sage
[10]The Sage
[11]Dance of the earth
Second part: The sacrifice
[12]Introduction
[13]Mystic circles of the young girls
[14]Glorification of the chosen one
[15]Evocation of the ancestors
[16]Ritual action (dance) of the ancestors
[17]Sacrificial dance (the chosen one)
Béla Bartók (1881-1945) Sonata for two pianos and percussion, Sz110, (1937)
[18]I Assai lento
[19]II Lento, ma non troppo
[20]III Allegro non troppo
Total time: 79:57
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Listen to track 2
Listen to track 7
Listen to track 17
Listen to track 19

McLachlan plays the 32 Beethoven Sonatas

Volume 2
CD DRD0202 – £10-95 UK

Sonata No. 19 in G minor, Op. 49 No. 1
[1]I Andante
[2]II Rondo: Allegro
Sonata No. 20 in G major, Op. 49 No. 2
[3]I Allegro ma non troppo
[4]II Tempo di menuetto
Sonata No. 21 in C major, Op. 53, ‘Waldstein’
[5]I Allegro con brio
[6]II Introduzione
[7]III Rondo
Sonata No. 22 in F major, Op.54
[8]I In tempo d’un menuetto
[9]II Allegretto
Sonata No. 23 in F minor, Op. 57, ‘Appassionata’
[10]I Allegro assai
[11]II Andante con moto
[12]III Allegro ma non troppo
Total time: 78:05

Reviews & Comments
This generously filled disc is the second in a projected complete cycle of what has been described as music's New Testament. The Opus 49 pair (of sonatas) often given to very young students to cut their teeth on...are far from contemptible and Mr. McLachlan's positive, no nonsense, admirably clear approach makes them an excellent introduction to the disc as a whole. The performer's deep knowledge (of the Waldstein and Appassionata), his outstanding technique – I stress again – the crystalline clarity of his delivery, bring us refreshing new insights. I have rarely heard equalled the brilliance of the Waldstein's first movement and the tension of the Appassionata's outer movements is finely sustained. The recording...is clear and well focused with a wide tonal range. No one recording of Beethoven's complete sonatas will ever satisfy the enthusiast, but if the standard of this one is maintained, then Mr. McLachlan's cycle will be worth the attention of the connoisseur as one of those cycles.
Philip Scowcroft [The complete review will be sent gladly on request.]
0202 PS rev

The high standard of performance and recording heard in volume 1 of this series is continued in this outstanding Volume 2...The two early sonatas (in spite of their "middle period" opus numbers), Op. 49 No.1 and No.2, are given splendid interpretations, which bring out Beethoven's fine originality and inner strength even when in his mid-twenties. Murray gives a gloriously expansive performance of the Waldstein Piano Sonata Opus 53 in C major, the many contrasts being full of interest. He gives a particularly memorable account of the closing section of Op. 54 in F major, culminating in an exciting tour de force, which is so well controlled. Finally, the Appassionata Piano Sonata Op.57 in F minor is given an amazing performance, from the beautiful depth of the slow movement to the staggering playing in the explosive conclusion of the finale! This makes an unforgettable ending to this magnificent CD, in which the piano sound is recorded so well. Every Beethoven enthusiast should collect this fine series of CDs.
Ian Milnes
0202 IM rev [The complete review will be sent gladly on request.]

I have sampled with pleasure and satisfaction recordings from recitals by two of the distinguished teachers at Chetham's School of Music. Murray McLachlan, Head of Keyboard, is adding to his discography a complete Beethoven sonata cycle. The little Op. 49/2 made a good pairing with Op. 54, the first ending with a popular Tempo di menuetto, the latter beginning with another. Sound, unfussy accounts of both. (See also DRD0246.) I will hope to return to this, and to McLachlan’s Waldstein and Appassionata, when time allows... All (both) well recorded by Dunelm.
P G Woolff
http://www.musicalpointers.co.uk/reviews/cddvd/BeethovenChetham's.htm

McLachlan...performs these Beethoven sonatas with quiet control and sensitivity. The two "easy" sonatas are not given a simple run-through; voicing and phrasing are done with sensitivity and clear vision. The piano is recorded with a good sense of atmospheric space, not too closely miked.
David Blomenberg
0202 DB rev
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Listen to track 3
Listen to track 6 to 7 transition
Listen to track 10

Farewells

Music of Brahms, Demopoulos, Mussorgsky
Panayiotis Demopoulos, piano
CD DRD0251 – £10-95 UK

Johannes Brahms (1833-97)
3 Pieces – piano, Op.117 (1892)
[1]No.1 Intermezzo in E flat
[2]No.2 Intermezzo in B flat minor
[3]No.3 Intermezzo in C sharp minor
Panayiotis Demopoulos (b.1977)
Farewells for piano (2004)
[4]I. Summer farewell
[5]II. Spring Farewell
[6]III. Winter Farewell
[7]IV. Autumn Farewell
Modeste Mussorgsky (1839-81)
Pictures at an exhibition (1874)
[Original version edited by Paul Lamm.]
[8]Promenade
[9]1.Gnomus
[10]Promenade
[11]2.Il Vecchio Castello
[12]Promenade
[13]3.Tuileries – Children quarrelling after play
[14]4.Bydlo
[15]Promenade
[16]5.Ballet of the chicks in their shells
[17]6.Two Polish Jews, one rich, the other poor
[18]Promenade
[19]7.Limoges, the market place
[20]8.Catacombae – (Sepulcrum Romanum)
[21]Con Mortuis in Lingua Mortua
[22]9.The Hut on Fowl’s Legs (Baba- Yaga)
[23]10.The Great Gate of Kiev
Total time: 53:06

Reviews & Comments
Here is a young pianist...of outstanding qualities: technical, interpretive and creative -- one of his own works being included on this CD. The playing of Brahms' Three Piano Pieces, Op.117 is truly memorable...These are deeply sensitive, poetic performances. I found (Panos' own music) highly original and quite effective, full of interest and surprises! ...there are sudden and splendid contrasts, as well as a few passages using effects inside the piano adding a fascinating array of sonorities, all superbly performed. (In) Mussorgsky's "Pictures", Panos exceeds all expectations! The Bydlo is electrifying; the great cart really thunders past in a fantastic interpretation! An outstanding pianist! This CD is extremely highly recommended, especially to all interested in young pianists!
Ian Milnes
http://www.musicweb-international.com/classrev/2006/Jan06/Brahms_Demopoulos_DRD0251.htm

Demopoulos' Brahms is sensitively and intelligently played. Demopoulos' own pieces are interesting compositions...works (that) conjure up an expressive and atmospheric sound-world on which to ponder. Athletic pianism contrast with sparsely pointillist, widely spaced, almost atonal intervals. Mussorgsky's "Pictures..." ewill be a major attraction for many (in an) exciting (performance). The high energy and muscular pianism (of the beginning) continue in a richly coloured and powerfully layered 'Bydlo', which contrasts well with the more reflective and playful 'Castle' and 'Tuileries'. On balance, a CD which, if the programme appeals, should not be ignored.
Dominy Clements
http://www.musicweb-international.com/classrev/2006/Feb06/Panayiotis_Demopoulos_DRD0251.htm

A passionate and thinking player with tremendous promise.
Kevin Sutton.
http://www.musicweb-international.com/classrev/2006/Mar06/Panayiotis_Demopoulos_DRD0251.htm
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Listen to track 3
Listen to track 6
Listen to track 14

Music for Organ – Volume 6

Ronald Frost, B.Mus., FRCO., FRMCM., FRSCM., FGCM., FNMSM., FRSA
plays North-West Organs
CD DRD0250 – £10-95 UK

Mellor Parish Church, Stockport
10 Voluntaries (1760) H. Heron (1730-96)
[1]Voluntary in G: Largo and Fugue
Partita: Conditor alme (1996) R. Frost (b.1933)
[2] - [8]Theme and six variations
The Cathedral, Blackburn
[9]Toccata and Fugue in F F-D Buxtehude (1637-1707)
[10]Elfes (No.11 of ‘Twelve Pieces’, Op.7) J. Bonnet (1884-1944)
[11]Chorale Prelude: Liebster Jesu, BWV731 J. S. Bach (1685-1750)
The Bridgewater Hall, Manchester
[12] - [17]Magnificat: Six movements M. Corrette (1709-1795)
King Jesus hath a garden F. Peeters (1903-1986)
[18] - [23]Choral, four variations and Finale
[24]Toccata (1886) T. Dubois (1837-1924)
St. Ann’s Church, St Ann Street, Manchester
Organ Sonata (1999)J. R. Williamson (b.1929)
[25] - [27]I With some dignity; II Slow; III Quite fast – swaggering
The Royal Northern College of Music, Manchester
[28]Fugue in E flat (‘St. Anne’) BWV552b J.S. Bach (1685-1750)
[29]Toccata for St. Ann’s (1980) R. Frost (b.1933)
Total time:78:18

Reviews
…this is a delightful – and generous – anthology, pleasantly balanced between popular repertoire and lesser-known pieces. The recording, despite problems posed by five different venues, is very clear and natural in sound.
Philip L Scowcroft
0250 PS rev [The complete review will be sent gladly on request.]

This is a most enterprising CD. Ronald Frost, together with Jim Pattison, is to be congratulated for making available to us a wide range of interesting music on five different organs in the North West of England. As anticipated – based on personal experience of Mr. Frost’s “live” organ recitals and the joy of listening to the other recordings in this series – all of the performances on this new CD are outstanding, in technique as well as interpretation. The recordings do full justice not only to these but also the organs themselves despite the varied acoustics of the several venues.
Ian Milnes
0250 IM rev [The complete review will be sent gladly on request.]
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Listen to track 1
Listen to track 10
Listen to track 24
Listen to track 29

Sergei Dukachev

plays piano music by Tchaikovsky, Rachmaninoff and Prokofiev
CD DRD0248 – £10-95 UK

Pyotr Il'yich Tchaikovsky (1840-1893)
[1]Meditation, Op. 72 No. 5 (1893)
Sergei Rachmaninoff (1873-1943)
Seven Preludes
[2]C sharp minor, Op. 3 No. 2
[3]B flat major, Op. 23 No. 2
[4]D minor, Op. 23 No.3
[5]D major, Op. 23 No.4
[6]G minor, Op. 23 No. 5
[7]G major, Op. 32 No. 5
[8]G sharp minor, Op. 32 No. 12
Sergei Prokofiev (1891-1953)
Romeo and Juliet, Op. 75 (1937)
[9]No.10 Romeo and Juliet at parting
Sonata No. 2, Op. 14 (1912)
Seven Preludes
[10]Allegro ma non troppo
[11]Allegro marcato
[12]Andante
[13]Vivace
Total time: 55:50

Reviews & Comments
Sergei Dukachev, Russian-born, is possessed of a powerful and eminently secure technique...(which) is a means to the end of providing seemingly effortless readings of music which is often of great technical difficulty but is not of the showpiece variety. (The) Sonata shows the characteristic Prokofiev emerging, especially in the scherzo, a short rhythmic Allegro marcato, placed second and the brilliant finale. Mr. Dukachev's knowledgeable readings of (the Rachmaninov Preludes) are first-rate advocacy for them and I cannot imagine anyone being disappointed with this little anthology. The recording is excellent in that it does not get in the way of us appreciating the superb music making. Warmly recommended.
Philip Scowcroft
0246 PS rev [The complete review will be sent gladly on request.]

This is a well-varied programme of music by three of Russia's greatest composers starting with a delightful 'Meditation' by Tchaikovsky...the playing here is wonderfully fluent, giving a lovely relaxed feel where required, contrasting with vigorous arpeggios around a fine melodic line later on, followed by the most effective reading of the gentle conclusion. (The) excerpt from Prokofiev's 'Romeo and Juliet' ballet (is) here given a superbly controlled perfoprmance. The piano sound and recording are splendid. Very highly recommended.
Ian Milnes
0248 IM rev [The complete review will be sent gladly on request.]

A commanding recital... one can only admire the warmth and freedom of (Dukachev's) Tchaikovsky, the potent atmosphere he evokes in Prokofiev's virtuoso B flat Prelude or the poise and maturity of the Chopin-influenced D major Prelude. The recording has come up well...
Bryce Morrison
The Gramophone, 83, 93, May 2006
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Listen to track 1
Listen to track 2
Listen to track 11

Martin Roscoe

plays piano music by Chopin, Keeley and Schumann
at the Fifth Chetham's International Summer School and Festival for Pianists
CD DRD0247 Live recording – £10-95 UK

Fryderyk Chopin (1810-49)
Four Ballades (1831-42)
[1]No.1 in G minor, Op.23 (1836)
Robert Keeley (b.1960)
[2]Ballade (2001)
Robert Schumann (1810-56)
Kreisleriana, (Eight Fantasies), Op.16 (1838)
[3]1. Äusserst bewegt (D minor)
[4]2. Sehr innig und nicht zu rasch (B flat major)
[5]3. Sehr aufgeregt (G minor)
[6]4. Sehr langsam (B flat)
[7]5. Sehr lebhaft (G minor)
[8]6. Sehr langsam (B flat major)
[9]7. Sehr rasch (C minor)
[10]8. Schnell und spielend (G minor)
Total time: 47:18

Reviews & Comments
The programme is stimulatingly thought out. ('Kreisleriana') reflects (Schumann’s) deep love for Clara Wieck...The work's passionate qualities are excellently realised by Mr. Roscoe. As it was dedicated to Chopin it is appropriate that the G minor Ballade, Op.23, (in which) Mr. Roscoe's fine technique is more than equal to (its) demands which not only opens the recital but also introduces, and serves as a contrast to, a more recent example of the Ballade, that by Robert Keeley. I have to admit that (it) is not easy listening...(but) Mr Roscoe performs it superbly. I recommend this issue with pleasure as a memento of a notable occasion whether or not one was fortunate enough to be there in person.
Philip Scowcroft
0247 PS rev [The complete review will be sent gladly on request.]

Full marks to Dunelm Records for producing a third CD of another excellent piano recital from the Fifth Chetham's International Summer School and Festival for Pianists. The great value (is) that it brings these splendid performances to far more people than could attend the recitals. Martin Roscoe's performance of Chopin's (1st) Ballade is outstanding...from great delicacy to superb eruptions in the powerful passages. There is much sensitivity, beauty of sound, effective rubato which is fully in control and at the service of the music. A memorably poetic interpretation. It is good to have here a 21st century Ballade (that of Robert Keeley)...(I) found it an immediately compelling, unified work here given a convincing brilliant performance. Schumann's 'Kreisleriana' shows Mr. Roscoe in full command of the amazing contrasts...from calm reflective playing to vigorous power, along with humour at times. The recorded sound of the piano, and ambience, are excellent. Very highly recommended.
Ian Milnes
0247 IM rev [The complete review will be sent gladly on request.]

The true selling point here is the Keeley Ballade.
William Kreindler
http://www.musicweb-international.com/classrev/2006/Jan06/Roscoe_DRD0247.htm

The playing time is relatively meagre, but that need not be a reason to give this CD anything other than a warm welcome.
Glyn Pursglove
http://www.musicweb-international.com/classrev/2006/Feb06/chopin_keeley_shumann_dunelm_drd0247.htm
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Listen to track 1
Listen to track 2
Listen to track 7

Bernard Roberts

plays piano music by Beethoven and Schubert
at the Fifth Chetham's International Summer School and Festival for Pianists
CD DRD0246 Live recording – £10-95 UK

Ludwig van Beethoven (1770-1827)
[1]Rondo in G, Op.51 No.2 (c.1797/98)
Franz Schubert (1797-1828)
Sonata No.20 in A (1828)
[2]1. Allegro
[3]2. Andantino
[4]3. Scherzo (allegro vivace)
[5]4. Rondo (allegretto)
Ludwig van Beethoven (1770-1827)
Eleven Bagatelles, Op.119 (1820-22)
[6]No.4 in A major
[7]No.10 in A major
[8]Applause (foreshortened)
Total time: 52:40

Reviews & Comments
The main work is the A Major Sonata from Schubert’s last three...perhaps the opening Allegro, most beautifully played here, is a trifle longwinded...but the Andantino's main srection is beautifully songlike but is punctuated by a furious, totally unexpected central episode; the scherzo is crisp and snappy with startling key changes and the final rondo is a treasure. Although this is a "live" recording I was aware of little extraneous noise and the recorded sound is natural. The CD makes me wish I had been there for what was clearly a memorable occasion.
Philip Scowcroft
0246 PS rev [The complete review will be sent gladly on request.]

It is wonderful to have available on CD a "live" recital by Bernard Roberts who is one of our finest pianists...The opening item is Beethoven's Rondo in G, Op.51 No.2 given a splendid performance with...excellent articulation of accents in the contrasting middle section. (In the Schubert Sonata) Mr. Roberts brings out the magnificent sture of this masterpiece: the expansiveness of the outer movements, the delicacy of the main theme of the third movement (scherzo) so well contrasted with the more retrospective trio section, and the the amazing slow 2nd movement where the central section explodes in turbulence between the movingly sad outer sections; throughout all the work, the attention to detail adds so much to a memorable experience. The recording is excellent...A valuable CD of Mr. Roberts' great artistry in "live" performance.
Ian Milnes
0246 IM rev [The complete review will be sent gladly on request.]

This CD is as fine a souvenir of a splendid musical event as one could wish for...
Dominy Clements
http://www.musicweb-international.com/classrev/2006/Feb06/Schubert_Roberts_DRD0246.htm

I have sampled with pleasure and satisfaction recordings from recitals by two of the distinguished teachers at Chetham's School of Music. Murray McLachlan, Head of Keyboard, is adding to his discography a complete Beethoven sonata cycle (see DRD0202). The doyen Bernard Roberts...frames Schubert's D959 with impeccable accounts of Beethoven's Rondo Op. 51/2 and a couple of Bagatelles, affectionately inflected renderings which augur well for the sonata. I will hope to return to this,...when time allows... All (both) well recorded by Dunelm.
P G Woolff
http://www.musicalpointers.co.uk/reviews/cddvd/BeethovenChetham's.htm
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Listen to track 1
Listen to track 3
Listen to track 7

Alicja Fiderkiewicz

plays piano music by Szymanowski and Chopin
at the Fifth Chetham's International Summer School and Festival for Pianists
CD DRD0245 Live recording – £10-95 UK

Karol Szymanowski (1882-1937)
Preludes, Op.1 (1900)
[1]No.1 Andante ma non troppo
[2]No.2 Andante con moto
[3]No.5 Allegro molto, impetuoso
[4]No.7 Moderato
Masques, Op.34 (1916)
[5]No.1 Shéhéherazade
[6]No.2 Tantris, the clown
[7]No.3 Don Juan’s Serenade
Fryderyk Chopin (1810-1849)
Nocturnes, Op.55
[8]No.15 in F minor, Op.55/1
[9]No.16 in E flat, Op.55/2
[10]Polonaise No.4 in C minor, Op.40/2
[11]Ballade No.4 in F minor, Op.52 (1831-42)
[12]Applause (foreshortened)
Fryderyk Chopin (1810-1849)
[13]Étude in A flat major, ‘Harp Study’, Op.25/1 (1832-36)
Karol Szymanowski (1882-1937)
[14]Krakowiak from ‘4 Polish Dances’, Op.47 (1926)
Total time: 64:18

Reviews & Comments
The Warsaw-born pianist Alicja Fiderkiewicz is a distinguished concert artist...The Chopin here is outstanding; both Nocturnes are superbly poetic, the C sharp minor Polonaise, understated if anything, shows deep musicality and the F minor Ballade is stunning. The recording is clear and natural. I have no hesitation in recommending this release to lovers of both composers.
Philip Scowcroft
0245 PS rev [The complete review will be sent gladly on request.]

Alicja Fiderkiewicz is an outstanding pianist who deserves to be much more widely known. In full command of technique, she is able to project vivid interpretations especially in music of composers of her own country, Poland, as recorded on this CD. All four (of Szymanowski’s Preludes, from Op.1) being played with much feeling and great control of dynamics. For me, the highlight of this CD is the performance of Chopin's Ballade No.4 -- a truly great, moving and memorable performance with a wide range of expression, feeling, rubato, pedalling, control of the structure and brilliant playing in the closing section. Lovely, poetic interpretations... a delightfully, well-contrasted recital.
Ian Milnes
0245 IM rev
http://www.musicweb-international.com/classrev/2005/Oct05/Szymanowski_Chopin_DRD0245.htm
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Listen to track 3
Listen to track 7
Listen to track 10

Music for Organ – Volume 5

Ronald Frost, B.Mus., FRCO., FRMCM., FRSCM., FGCM., FNMSM., FRSA
plays organ music by North-West composers
CD DRD0244 – £10-95 UK

John E. Ellis (b.1943)
Variations on ‘Veni Emmanuel’ (2002)
[1]Theme
[2]I Allegretto
[3]II Scherzetto
[4]III Molto moderato
[5]IV Poco largo
[6]V Adagio
[7]VI Allegro giacoso (Fantasie)
Norman Cocker (1889-1953)
[8]Interlude (1) (1922)
[9]Paean (2) (1922)
Ronald Frost (b.1933)
[10]Passacaglia for the birthday of St. Ann’s (1979)
Ernest Tomlinson (b.1924)
Three Lyrical Pieces (1958)
[11]1 Quiet prelude
[12]2 Rondoletto
[13]3 Paean
Douglas Steele (1910-99)
[14]On Gibbons’ ‘Angel’s Song’ – Chorale Prelude (1947)
Norman Cocker (1889-1953)
[15]Angelus (3) (1922)
[16]Trio (4) (1922)
[17]Cradle song (1927)
David Ellis (b.1933)
[18]I Hommage à FMB
[19]II Hommage à SKE
[20]III Hommage à CTC
Total time: 67:39

Reviews & Comments
Ronald Frost, who was born in Bury, became Organist and Choirmaster at St. Ann's Church, Manchester in 1978. In 1955, the year he achieved his FRCO, he was appointed to the staff of the Royal Manchester (now Northern) College of Music and became Principal Lecturer in Organ, Keyboard Musicianship and Harmony and Counterpoint in 1971, retiring in 2001. This series started with a reprise of the programme for the Inaugural Recital by Ronald Frost, which took place on 26 November 1996 (DRD0166). The first volume in the Music for Organ series was recorded in 2001; this series has recently reached Volume 5. The latest addition is devoted to organ music by Manchester composers, a novel venture. (For details of the works visit the web site below.) Overall, this CD makes a worthy addition to what one hopes will be a continuing series. [It is! Ed.]
Geoffrey Hallas
http://www.musicweb-international.com/classrev/2005/Sep05/organ_vol%205_DRD0244.htm

This is an excellent CD by an extremely talented and competent organist on a fine instrument. The Cradle Song by Norman Cocker is a real find! And the Manchester connection makes it of interest to all those of us who know there is musical life outside of London!
John France
http://www.musicweb-international.com/classrev/2005/Nov05/Frost5_DRD0244.htm

Hats off to Ronald Frost and Dunelm for such an excellent idea: Mancunian organ music played on one of Manchester’s finest organs by one of Manchester’s most respected musicians. …highlights are the music from Cocker…which has a wonderful ebb and flow and great purpose – and Frost ably ensures that it goes about its purpose well. The other highlight musically is Tomlinson’s Three Lyrical Pieces…Throughout the disc the playing is authoritative and stylish.
Adrian Richards
The Organ, 85, No.335, Feb-April, 2006
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Listen to track 7
Listen to track 17
Listen to track 19

Severnside Composers’ Alliance: A recital by two pianists

Steven Kings and Christopher Northam
play music for two pianos, and that for four hands on one piano
CD DRD0243 – £10-95 UK

Bohuslav Martinù (1890-1959)
Three Czech Dances (1949)
[1]Allegro
[2]Andante moderato
[3]Allegro
David Bedford (b. 1932)
[4]Hoquetus David (1987)
John Pitts (b. 1976)
[5]Changes (1995)*
Robin Holloway (b. 1943)
Gilded Goldbergs (1992-)
[6]Aria
[7]Variation 1
[8]Variation 2
[9]Variation 3
[10]Variation 4
[11]Variation 5
[12]Variation 6
[13]Variation 7
[14]Variation 8
[15]Aria
Jolyon Laycock (b. 1946)
[16]Die! A1 Sparrow (2002)
Francis Poulenc (1899-1963)
[17]Élégie
Witold Lutoslawski (1913-1994)
Paganini Variations (1941)
[18]Theme, 11 Variations & Finale
[19]Applause (foreshortened)
Total time: 73:14

* Four hands on one piano.

Reviews & Comments
Congratulations to the Alliance for putting on such a stimulating programme of this relatively little-known music. Strongly recommended to enterprising listeners. [0243 PS rev]

My repeated use of the adjective "brilliant" here is quite deliberate! Very well recommended.[0243 IM rev]
http://www.musicweb-international.com/classrev/2005/July05/Severnside_DRD0243.htm

Alliance member Steven Kings is one of the pianists on this two-piano recital, but here the Severnside composers account for less than a third of the playing time. The two-piano medium lends itself to process-music, to hocketing and minimalist bell-sonorities, and these features can all be sensed in David Bedford's "Hoquetus David" and two works by composers who figure on DRD0238 – John Pitts minimalistic "Changes" and the intriguingly titled "Die A1 Sparrow" by Laycock. This quite ambitious piece...has something of that famous ensemble's (Icebreaker band) aggressive hocketing style and relentless antiphony. The rest of the programme is made up by a number of modern classics in the medium, not least Martinu's substantial "Czech Dances" of 1949. Kings and Christopher Northam...dispatch this varied programme with panache and enthusiasm (the concluding Lutoslawski "Paganini Variations", of course, is always guaranteed to bring the hose down.)
Calum MacDonald
International Record Review, October 2005, PP.70 & 71
drd0243 cover
Listen to track 4
Listen to track 5
Listen to track 18

A touch of class

four hands on one piano
Rachel & Vanessa Fuidge
CD DRD0241 – £10-95 UK

Philip Lane (b.1950)Badinages
[1]I Mouvement perpetuel
Edvard Grieg (1843-1907)
[2]Norwegian Dance, Op.35, No.2
[3]Peer Gynt Suite No.1, Op.46 - III Anitra's dance
Adolf Jensen (1837-1979)Wedding music, Op.45
[4]Wedding procession
Sergey Rachmaninov (1873-1943)Six morceaux, Op.11
[5]No.3 Theme Russe
[6]No.4 Valse
Alfredo Casella (1883-1947)Pupzzetti: 5 Pezzi facili
[7]I Marcetta
[8]II Berceuse
[9]III Serenata
[10]IV Notturnino
[11]V Polca
Georges Bizet (1838-1875)Jeux d'enfants, Op.22
[12]No.12 Le Bal
Franz Schubert (1797-1829)
[13]Marche militaire, Op.51, No.1
Gabriel Faur‚ (1845-1924)Dolly, Op.56
[14]6. Le pas Espagnole
Charles Camilleri (b.1931)Paganiana
[15]Variations for piano four-hands
Camille Saint-Saens (1835-1921)Le Carnaval des Animaux
[16]XIII Le Cygne
[17]XIV Final
Antonin Dvorak (1841-1904)Legends, Op.59
[18]No. 6
Leroy Anderson (1908-1975)
[19]Fiddle Faddle
Paolo Di Biase (b.1942)
[20]Duo tango
Total time: 58:30
drd0241 cover
Listen to track 7
Listen to track 19
Reviews
Rachel and Vanessa... offer a pleasantly varied programme, showing their many qualities. The twins have an excellent technique and a lively musicality, with superb interpretations. They are so well in control that they sound to be having fun which communicates itself to the listener, resulting in a wonderfully enjoyable experience! In all pieces, the clarity of the many varied textures is brought out really well helped by a superb recording... An outstanding CD, full of joy! Very highly recommended!
Ian Milnes, May, 2005.

I have the greatest pleasure in recommending this disc as an introduction to the wide range, both familiar and less familiar, of the piano duet repertoire
Philip Scowcroft."

Throughout, Rachel and Vanessa bring out the clarity of the many varied textures really well. An outstanding CD, full of joy! Very highly recommended
Ian Milnes - MusicWeb International
http://www.musicweb-international.com/classrev/2005/May05/fuidge_class_DRD0241.htm

Inaugural Piano Recital

Severnside Composers' Alliance, February 23rd, 2005
Peter Jacobs (piano)
CD DRD0238 – £10-95 UK

Geoffrey Self (1930-)Sonatina 1
[1]Toccata - Allegro
[2]Elegy - Andantino
[3]Rondo - Allegretto
Ivor Gurney (1890-1937)Preludes: 1st Set
[4]1 in F sharp - con moto
[5]2 in A minor - molto allegro
[6]3 in D flat - andante
[7]4 in D sharp minor - adagio
[8]5 in D - allegro grazioso
Jolyon Laycock (1946-)
[9]L'Abri Pataud
Richard Barnard (1977-)
[10]On Erin Shore
Steven Kings (1962-)
[11]Fingers Pointing to the Moon
Ivor GurneyPreludes: 2nd Set
[12]fragment in F minor - allegro
[13]1 in D flat - andante
[14]2 in C - allegro
[15]3 in F sharp - andante
Susan Coppard (1937-)
[16]Round and Around
John Pitts (1976-)
[17]Aire 1
[18]Fantasy 1
[19]Fantasy 5
James Patten (1936-)
[20]Nocturne 3*
(*Commences with six seconds of silence.)
[21]Nocturne 4
Sulyen Caradon (1942-)
[22]Dorian Dirge
Ivor GurneyPreludes: 3rd Set
[23]1 in C minor
[24]2 in F sharp (unfinished)
Raymond Warren (1938-)
[25]Monody
[26]Chaconne
[27]Applause (foreshortened)
Total time: 78:22
drd0238 cover
Listen to track 4
Reviews
Peter Jacobs is to be congratulated for the careful programming... he has inserted the beautiful and evocative Gurney Preludes into the recital so that the shock of transition is less than one might have expected. Gurney's solo piano writing has been dismissed as feeble...by those insensitive to the powerful spiritual impulses that affected the creative output of post-Great War energies in this country. These pieces are not simply delicate pastorals but have a harrowing nostalgia... Necessarily at odds with this, the philosophy of the younger men, far removed, despite a second World Conflict, from that of Gurney has conflict, but little darkness.
Colin Scott-Sutherland - Musicweb
http://www.musicweb-international.com/classrev/2005/Apr05/Severnside_DRD0238.htm

...it is encouraging to see a record company quietly producing CDs of music that considerably add to our wealth of British piano repertoire. The Severnside Composers' Alliance promotes work of composers living in the West Country, and those represented on this CD range from established composers Raymond Warren and James Patten to relative newcomers Richard Barnard and John Pitts. The newly composed works are interspersed with Gurney's three sets of Preludes – a rich, well chosen foil to the younger pieces. A CD well worth exploring on its own account, but also useful for fulfilling the 'including a work by a living composer' section of various exams and competitions.
Pamela Lidiard
Piano Professional, September 2005, p.38

McLachlan plays piano music by Busoni
at the Fourth Chetham's International Summer School
and Festival for Pianists

CD DRD0232 – £10-95 UK

Suite for Solo Violin in D minor, BWV1004 – Bach/Busoni
[1]Chaconne (1892)
Elegien: Sieben neue Klavierstücke (1907-8) – Busoni
[Seven new piano pieces, K249]
[2]Turandots Frauengemach
(Turandots room) Intermezzo
Kammer-Fantasie über Bizet's "Carmen" (1920)
[Sonatina No.6] – Busoni
[3]Chamber-Fantasy on Bizet's "Carmen", K284
Fantasia Contrappuntistica (1910) – Busoni
(Edizione Definitiva)
[4]Contrapuntal fantasy, K255/6
[5]Applause (foreshortened)
Total time: 58:36
 drd0232 cover
Listen to track 2
Reviews & Comments
...(the recording) is exceptionally lucid, the clarity greatly advantageous for the complexity of Busoni's Bach-based "Fantasia contrappuntistica". I enjoyed this recital, a good conspectus of Busoni's interests and range of styles. ...All the music has links to other composers, and it was serendipitous...that my handicapped daughter was thrilled to recognise "Greensleeves" in the "Turandots Frauengemach Elegy, and the "Toreador's Song" from 'Carmen' in the Sonatina! Recommended.
Peter Grahame Woolf.
http://www.musicalpointers.co.uk/reviews/cddvd/Chisholm_BusoniCD.htm#busoni

"I have listened to the Busoni CD and am absolutely delighted with it. Many thanks and congratulations. Ronald Stevenson (Composer) telecon January 18th, 2005.

This recording is no small achievement – McLachlan manages to give more than workable accounts of music that drips with difficulties...
Colin Clarke – MusicWeb International
http://www.musicweb-international.com/classrev/2005/May05/Busoni_McLachlan_DRD0232.htm

Murray McLachlan...concentrates on the Italian master's deeper assimilation of other styles (than Bach). McLachlan aims for consistency and integrity... and rises to moments of eloquence. He manages to pull a real musical experience out of that daunting, half-hour Bachian fugal summa, the Fantasia Contrappuntistica. (Busoni's) Sixth Sonatina...is the most detailed and sensitive rendition I've heard of this strange Bizet pot-pourri, McLachlan orienting himself to Bizet's "fate" motive and Carmen's more tragic aspect rather than the strutting bravado of the Toreador music.
Arved Ashby
Gramophone, Volume 83, July 2005, PP.74 & 75

Eva Kára plays piano music by Bartók and Ginastera

A recital played at the Fourth Chetham's International Summer School and Festival for Pianists
CD DRD0231 – £8.95 UK

Béla Bartók (1881-1945)
Suite, Op.14 (1916)
[1]Allegretto
[2]Scherzo
[3]Allegro molto
[4]Sostenuto
Alberto Ginastera (1916-1983)
Sonata para Piano No.1, Op.22 (1952)
[5][5]Allegro marcata
[6]Presto misterioso
[7]Adagio molto appasionato
[8]Ruvido ed ostinato
Total time: 29:25
drd0231 cover
Listen to track 2
Reviews
Recommendable as a memento of a notable occasion and as a record of memorable interpretations of two contrasting 20th century works. ...
Philip Scowcroft – MusicWeb International
http://www.musicweb-international.com/classrev/2004/Nov04/kara.htm

...(this CD) serves to introduce an undoubtedly gifted artist. (the) fluid, musing slow movement (of the Ginastera Sonata) again allows Kára to display her sensitivity to keyboard colour and ability to sustain sparse, wide-spaced textures.
Calum Mac Donald. International Record Review 5, Issue 8 February 2005 p.62

Alicja Fiderkiewicz

a celebrity recital played at the Fourth Chetham's International Summer School and Festival for Pianists
CD DRD0230 – £10-95 UK

César Franck (1822-1890)
[1]Prélude, choral et fugue (1884)
Fryderyk Chopin (1810-1849)
3 Impromptus (1837-1842)
[2]No. 2 in F sharp, Op. 36
[3]No.3 in G flat, Op. 51
[4]Barcarolle in F sharp, Op. 60 (1846)
Paul Hindemith (1895-1963)
Sonata No.3 in B flat (1936)
[5]1 Ruhig begwegt
[6]2 Sehr lebhaft
[7]3 Mäßig. schnell
[8]4 Fuge. Lebhaft
[9]Applause (foreshortened)
Fryderyck Chopin (1810 - 1849)
[10]Nocturne No.7 in C sharp minor, Op. 27/1
Total time: 60:27

*As a guest member of the Teaching Faculty at the School, Miss Fiderkiewicz not only taught the students on a daily basis, but also gave a Masterclass.
drd0230 cover
Listen to track 3
Reviews
Alicja Fiderkiewicz shows herself to be a pianist of rare quality. A masterly instrumentalist, an unshowilycommanding performer and a musician to her enviable fingertips, she gives memorable accounts (of this music). Personal but never idiosyncratic, direct but never prosaic, eloquent but never remotely sentimental, she plays with the kind of old-fashioned simplicity associated with the playing of her two great compatriots Mieczyslaw Horszowski and Artue Rubinstein (and is as well recorded here as ever they were).
Jeremy Siepmann "Piano" November/December 2004, p.37.

Two Impromptus...are played with a sense of veiled mystery that is hard to define except by reference to her nationality, and even then not all Polish pianists achieve this mixture of passion and poetry. The Barcarolle...receives a lucid and enticing performance... (in the Hindemith work) she does justice to a rarely-heard work which...is well worth exploration with so persuasive a guide. Michael Kennedy, "The Sunday Telegraph", December 26th, 2004, p.20.

Alicja Fiderkiewicz ... demonstrates a natural feeling for Chopin. The gentle, even homely, Impromptus receive unexaggerated performances while the Barcarolle...is similarly straightforward. (She) gives a strong performance of the Hindemith sonata with no Hindemithian chichés; it is not dry or mechanistic but sensitive with plenty of light and shade. The Franck receives a powerful performance.
Roger Blackburm.
http://www.musicweb-international.com/classrev/2005/Jan05/Fiderkiewicz.htm

Drakeford, J. R. Williamson & Holmboe
a sequence of music for cello and piano

Diane Porteous – Cello
Kathryn Page – Piano
CD DRD0229 – £10-95 UK

Richard Drakeford (b.1936)
Cello Suite – for Rohan de Saram(1957-8)
[1]I Prelude – Lento ma non troppo Vivace
[2]II Fugato – Allegro moderato
[3]III Sarabande – Andante
[4]IV Badinerie – Allegro molto
[5]V Coda – Lento ma non troppo
John R. Williamson (b.1929)
Sonata for violincello and piano No.2 (2001)
[6]I Relaxed – not hurried
[7] - [13]II Theme & Variations
[14]III Alla scherzo – fast restless
[15]IV Moderate speed – sturdy – resolute
Vagn Holmboe (1909-96)
Sonata for violincello solo (1969)
[16]I Præludio – Tempo giusto
[17]II Fugare – Allegro risoluto
[18]IIIa Introduzione – Adagio
[19]IIIb Finale – Allegro giocoso
Total time: 51:35
drd0229 cover
Listen to track 14
Reviews
This recording is worth exploring for its little-known repertoire and committed performances. The (John R.) Williamson is somethoing of a find and should now gain more recognition. David Hackbridge Johnson, MusicWeb
http://www,musicweb.uk.net/classrev/2004/Oct04/Drakeford.htm

Why listen to yet another version of a well-known work by a well- known artist on a major label when you can explore material as interesting and well-played as this? Patrick Waller MusicWeb- International http://www.musicweb.uk.net/classrev/2004/Nov04/drakeford_cello_dunelm

Drakeford: This performance brings out the variety between the five well-contrasted movements... sometimes moving, at other times humorous. John R. Williamson: The ensemble playing and balance between the two players is excellent, each being fully aware of the other's part, making for a most enyoyable and brilliant performance. Vagn Holmboe: Diane Porteous produces an outstanding and satisfying performance with some lovely ethereal harmonics in the third movement, and much humour in the finale. Very highly recommended. Ian Milnes September 20th, 2004 [The full text of this review is available on request from Dunelm Records.]

http://www.musicweb.uk.net/classrev/2004/Dec04/1aDec04-3.htm
http://www.musicweb.uk.net/classrev/2004/Oct04/1aOct04-3.htm
http://www.musicweb.uk.net/classrev/2004/Nov04/1aNov04-3.htm
http://www.musicweb.uk.net/classrev/2004/Dec04/drakeford.htm

Sergei Dukachev plays piano music by Beethoven, Tchaikovsky, Prokofiev and Rachmaninoff

CD DRD0228 - £10-95 UK

Ludwig van Beethoven (1770-1827)
[1]-[3]Sonata for piano No.14, "Moonlight", in C sharp minor, Op.27/2 (1801)
Pyotr Il'yich Tchaikovsky (1840-1893)
"The Seasons",Op.37b (1875-6)
[4]1. January – At the fireside
[5]11. November – Troika
[6]18 Morceaux, Op.72 (1893)
No.5 Méditation in D
Sergei Prokofiev (1891-1953)
[7]-[12]20 Visions Fugitives, Op.22 (1915-17)
Nos.1, 7,10, 6, 11 & 17
[13]10 Pieces from "Romeo and Juliet", Op.75 (1937)
No.10: Romeo and Juliet before parting
Sergei Rachmaninov (1873-1943)
[14]-[36]Variations on a theme of Corelli, Op.42(1931)
[37]24 Preludes: 4. Prelude in D minor,Op.23/3
[38]7 Morceaux de salon, Op.10 (1893-94):
No.3 in G minor, Barcarolle
[39]24 Preludes: 3. Preludein B flat major, Op.23/2

Total time: 71:02
drd0228 cover
Listen to track 6
Reviews
Sergei Dukachev has put together some favourite pieces from extant recordings. Dukachev clearly has a safe pair of hands…best in pieces that demanded strong characterisation or energy. His Rachmaninov showed technical ease and he highlighted a noble poignancy in the Corelli Variations .
Pamela Lidiard

Lidiard, P., Piano Professional, Issue 8, 27, April, 2005

ERIK CHISHOLM Music for piano Volume 2

Murray McLachlan (piano)
CD DRD0223 - £10-95 UK

From "Twenty-Four Preludes from the True Edge of the Great World"
[1] 1. Port a Beul; [2] 2. Song of the Mavis; [3] 3. Sea-sorrow;
[4] 4. The Sheiling; [5] 5. Sea Tangle; [6] 6. Spinning Song;
[7] 8. Ossianic Lay; [8] 19. Stravaiging; [9] 23. Rudha Bàn;
[10] 24. The Hour of the Sluagh
Airs from the Patrick MacDonald Collection
[11] i Allegro; [12] ii Legato; [13] iii Commodo; [14] iv Rubato;
[15] v Adagio; [16] vi Poco allegretto; [17] vii Fadilegan Sgarba;
[18] viii Andante 1:17; [19] ix Andante maestoso; [20] x;
[21] xi Allegro scherzando; [22] xii; [23] xiii; [24] xiv;
[25] xv Slow; [26] xvi Rather slow; [27] xvii Slow;
[28] xviii Very slow; [29] xix Lively; [30] xx Andante;
[31] xxi Rather slow; [32] xxii Very expressive;
[33] xxiii Slow Strathspey time; [34] xiv Strong and deliberate;
[35] xxv Slow; [36] xxvi Prince Albert's March
Petite Suite*
[37] 1.Harris Dance [38] 2.Mermaid's Song [39] 3.Skye Dance
[40] 4.Milking Croon [41] 5.Love of my youth

Total time: 77:13

* Five movements from the Petite Suite – consisting of nos. xxvii - xxxi of "Airs" (see above).
drd0223 cover
Listen to track 5
Listen to track 29
Listen to track 39
Reviews
This new release has given me particular pleasure…my manuscript copy of some of them has verified my impression that they are very pianistic, the figurations lie comfortably under the hands, and they are rewarding to study and play. …this series deserves wide dissemination.
Peter Grahame Wolf
http://www.musicalpointers.co.uk/reviews/cddvd/Chisholm_BusoniCD.htm

In this second volume of Erik Chisholm's piano music for Dunelm, Murray McLachlan sticks to short pieces – 41 of them – but nevertheless valuably fills out the picture he has been limning in Volume 1. It is now clear that Chisholm...holds a highly significant position in the development of Scottish music in the first half of the twentieth century. Most of the melodies heard here come from just two sources (see the track list). The sheer attractiveness and inventiveness of all of this music is beyond question. This is turning out to be a very exciting series. So: excellent pianism, very acceptable recording, fascinating music.
Calum MacDonald
International Record Review, May 2005, p.58

On this second CD (McLachlan) performs ten of Chisholm's Preludes from the True Edge of the Great World and 21 Airs from the Patrick MacDonald Collection. Chisholm was dubbed 'MacBartók' due to his similar use of traditional Scottish music, and all the music here derives from northwest Scotland. This inevitably imparts a particular, evocative flavour to the music...emphasised by the sense of history suggested by the titles...(the) Preludes are written for a skilled pianist, whereas many of the Airs could be used as teaching material. Most of these are around a minute's length and explore different textures and techniques as they re-interpret Highland Airs from MacDonald's collection. These deserve to be better known – all strength to McLachlan and Dunelm Records in their continuing Chisholm series.
Pamela Lidiard
Piano Professional, September 2005, p.38

ERIK CHISHOLM Music for piano Volume 1

Murray McLachlan (piano)
CD DRD0222 - £10-95 UK

Straloch Suite
[1]I
[2]II
[3]III
Scottish Airs for Children
[4] to [25]Scottish Airs for Children Nos 1 to 22
Sonata in A (1939) An Riobain Dearg*
[Premiére recording of the abridged version (2004)]
[26]1 Molto moderato
[27]2 Scherzo: Allegretto con moto
[28]3 Lament: HMS Thetis
[29]4 Allegro moderato
Total time:77:24

*The red ribbon; also the name of a traditional bagpipe tune, a 'Pibroch'. The opening of the sonata is most certainly a variant of this tune. Interestingly, the alternative title to this Pibroch is "The Sinclair's March", and 'Sinclair' was the middle name of Erik Chisholm's brother!

 drd0222 cover
Listen to track 3
Listen to track 11
Reviews
The Sonata – a major example of 20th century piano writing... the effect is almost overwhelming. Self recommending. David Hackbridge Johnson MusicWeb
http://www.musicweb.uk.net/classrev/2004/July04/Chisholm_Piano.htm

If you warm to Vaughan Williams' 'Lake in the Woods', Grainger's Hill Songs, Bax's Toccata or Maxwell Davies' 'Farewell to Stromness' you will like this. Rob Barnett MusicWeb
http://www.musicweb.uk.net/classrev/2004/Aug04/Chisholm.htm

A repressed excitement that is infectious. To be hoped that these exploratory excursions into Chisholm's substantial output will unearth other revelations. Colin Scott-Sutherland – MusicWeb
http://www.musicweb.uk.net/classrev/2004/Sept04/Chisholm_Piano.htm

...by far the most important work is the selection of "22 Scottish Airs for Children'....Chisholm's selection is taken from Patrick MacDonald's "A Collection of Highland Vocal Airs", published in 1784, all of which are short and simply presented, and many are delightful. McLachlan is obviously thoroughly at home in all this music and he is well recorded... Ivan March "The Gramophone" February 2000, p.64.

Chisholm’s Scottish Airs for Children – 22 adaptations of originals from Patrick MacDonald’s A Collection of Highland Vocal Airs (1784) – provide an ideal teaching resource, unite Scotland’s present with its past and, not least, bring us a sequence of scintillating, exquisite miniatures. If McLachlan’s proposed survey of Chisholm’s complete piano music continues to reveal works of this standard, the history of British piano music will require radical reassessment. Martin Anderson “Piano International” January/February 2005, p.80

(This CD) the first of a series, features première recordings of some of Chisholm’s most significant piano works: the Straloch Suite (1933) and the Scottish Airs for Children, together with an abridged version of the Sonata in A. (In the first work) McLachlan gives a convincing presentation of a very direct and approachable work that is not without its syncopated quirks to keep his fingers nimble. The Scottish Airs (are) 22 attractive and original settings of not more than two minutes average length each.
Michael Jones.
Tempo, 59, No. 231, January 2005, 72.

http://www.musicweb.uk.net/classrev/2004/Jul04/listing.htm
http://www.musicweb.uk.net/classrev/2004/Aug04/Chisholm.htm
http://www.musicweb.uk.net/classrev/2004/Sept04/1aSept04-3.htm
http://www.musicweb.uk.net/classrev/2004/July04/Chisholm_Piano.htm
http://www.musicweb.uk.net/classrev/2004/July04/1aJuly04-3.htm
http://www.musicweb.uk.net/classrev/2004/Aug04/1aAug04-3.htm

Awake O harp

Music for harp ranging from Handel to Matthias
Rachel Dent (harp)
with Ronald Frost (organ) in selected pieces
CD DRD0221 - £10-95UK

G F Handel (1685-1759): Concerto in Bflat Major Op.4 No.6 transcribed R Dent
[1]Andante - Allegro
[2]Larghetto
[3]Allegro moderato
M Tournier(1897-1951): Etude de Concert
[4]Au Matin
[5]John Thomas(1836-1913) The Minstrel's Adieu to his Native Land
[6]John Thomas(1836-1913) Bugeilio'r Gwenith Gwyn (Watching the wheat)
[7]M Grandjany (1891-1975) Aria in Classic style
[8]David Watkins(b.1939) Fire Dance
[9]Croft(1678-1727) Sarabande and Ground edited D Watkins
[10]R Nichols(b.1945) Impromptu
[11]G F Handel Chaconne in C Major transcribed H Boye
[12]O Ravanello (1871-1938) Prelude - Berceuse
W Mathias (1934-1992): Sante Fe Suite
[13]Landscape
[14]Nocturne
[15]Sun dance
Total time: 69:14

Review
http://www.musicweb.uk.net/classrev/2004/Nov04/1aNov04-6.htm
drd0221 cover
Listen to track 2
Listen to track 6
Listen to track 8

Piano music of ERIK CHISHOLM

& his friends Bartók, Sorabji, Stevenson, Busoni
Murray McLachan (piano) CD DRD0219 - £10-95 UK

Bartok: Out of Doors Suite, Volume One
[1] With Drums and Pipes
Sorabji
[2] Fantasiettina sul nome illustre dell'Egregio poeta Hugh MacDiarmid ossia Christopher Grieve MCMLXI
Chisholm Sonata in A(1939) An Riobain Dearg*
[3] Molto moderato
[4] Scherzo: Allegretto con moto
[5] Lament: HMS Thetis foundered June 3rd 1939
[6] Allegro moderato
Ronald Stevenson (b.1928)
[7] A Threepenny Sonatina
Busoni Fantasia Contrappuntistica (Edizione Definitiva)
[8] Preludio Corale
[9] Presto
[10] Fuga I
[11] Fuga II
[12] Fuga III
[13] Intermezzo
[14] Variazione I
[15] Variazione II
[16] Variazione III
[17] Cadenza
[18] Fuga IV
[19] Corale
[20] Stretta
Total time: 78:11

*The red ribbon. This is also the name of a traditional bagpipe tune, a 'Pibroch'. The opening of the sonata is most certainly a variant of this tune. Interestingly, the alternative title to this Pibroch is "The Sinclair's March", and 'Sinclair' was the middle name of Erik Chisholm's brother!

Reviews
(This CD) places one of Chisholm’s greatest works, his Sonata in A (‘An Rioban Dearg’) in context with music of composers who were closely associated with him. It is this piece that, for me, is the central piece of a very eclectic disc. Those … who were present at the live concert* were astonished at the range of imagination and originality of this work: there is nothing else like it in the repertoire. …one can only marvel at (McLachlan’s) assured grasp of this large structure. Tempos are well-judged, with no hint of dragging, and the elegiac slow movement…builds to a climax of strength and pathos. Michael Jones.
Tempo, 59, No. 231, January 2005, 72.

...the present disc – which perpetuates the programme of an adventurous Wigmore Hall recital McLachlan gave on January 4th (2004) – is also centred on Chisholm... McLachlan, currently the foremost champion of this significant but long-neglected figure (Erik Chisholm) in twentieth-century Scottish music. [Then follows a comprehensive review of the individual pieces.] ...the principal reason to buy this disc is the Chisholm Sonata. Recorded at Chetham's School of Music a couple of weeks in advance of the Wigmore Hall recital, the acoustic is a occasionally a little dry and boxy, but quite acceptable – certainly does not detract in the least from the great inherent interest of the programme.
Calum MacDonald
International Record Review, July/August 2004, p.63

* See page 75 of the April 2004 Tempo for a review of the Erik Chisholm Centenary Recital at the Wigmore Hall, London, given on 4 January by Murray McLachlan.



http://www.musicweb.uk.net/classrev/2004/May04/Chisholm_friends.htm
http://www.musicweb.uk.net/classrev/2004/July04/Chisholm.htm
http://www.musicweb.uk.net/classrev/2004/MusicWeb_recommends_2004_2.htm
http://www.musicalpointers.co.uk/reviews/cddvd/cddvd.html
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nuages

Music of Liszt, Beethoven, Demopoulos
Panayiotis Demopoulos: Piano
CD DRD0213 - £10-95 UK

Franz Liszt (1811-1886)
[1]Nuages gris (Gray clouds) 1881
[2]La lugubre gondola I (The funeral gondola I) 1882
[3]Unstern (Evil star) 1880-1886)
[4]Vallée d'Obermann (1848-1854)
Ludwig van Beethoven (1770-1827)
Sonata No.30 in E major, Op.109
[5]I Vivace ma non troppo – Adagio espressivo
[6]II Prestissimo
[7]III Gesangvoll mit innigster Empfindung
Var.1 Molto espressivo
Var.2 Leggiermente
Var.3 Allegro vivace
Var.4 Etwas langsamer als das Thema
Var.5 Allegro ma non troppo
Var.6 Tempo I del tema
Panayiotis Demopoulos(b.1977)
Tetractys: Four varaiations and Thema: Nuages noirs (2000)
[8]Var.I Moderato – Vecchio
[9]Var.II Dissident – Schizothymic
[10]Var.III Molto semplice – Triste
[11]Var.IV Nervoso – Continuo; Thema: Nuages noirs
Total time: 58:00

Reviews
http://www.musicweb.uk.net/classrev/2004/Apr04/Demopoulos.htm
http://www.musicweb.uk.net/classrev/2004/Apr04/1aApr04-6.htm
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Bernard Roberts

A celebrity recital played on a Schimmel Grand Piano at the Third Chetham's International Summer School and Festival for Pianists
CD DRD0212 Live recording - £10-95 UK

Haydn: Sonata No.46 in E major HobXVI:31 (1776)
[1]Moderato
[2]Allegretto
[3]Finale – Presto
Schubert: Sonata No.17 in D major D850 (1825)
[4]Allegro vivace
[5]Andante con moto
[6]Sherzo: Allegro vivace
[7]Rondo: Allegro moderato
Brahms: Variations and fugue on a theme of Handel, Op. 24 (1861)
[8]Variations and fugue
Total time: 79:56

Review
http://www.musicweb.uk.net/classrev/2004/Mar04/Roberts_Satz.htm
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McLachlan plays the 32 Beethoven Sonatas

Volume 1
CD DRD0201 - £10-95 UK

Sonata No. 8 in C minor, Op. 13 'Pathétique'
[1]I Grave – Allegro molto e con brio
[2]II Adagio cantabile
[3]III Rondo: Allegro
Sonata No. 9 in E major, Op. 14 No. 1
[4]IAllegro
[5]IIAllegretto
[6]III Rondo: Allegro comodo
Sonata No. 10 in G major, Op. 14 No. 2
[7]I Allegro
[8]II Andante
[9]III Scherzo: Allegro assai
Sonata No. 24 in F sharp major, Op.78
[10]I Allegro ma non troppo
[11]II Allegro vivace
Sonata No. 26 in E flat major, Op. 81a 'Les adieux'
[12]I Adagio – Allegro
[13]II Andante espressivo
[14]III Vivacissimamente
[15]Bagatelle WoO 56
Total time: 78:33

Reviews